“Salonen’s 2000 Concert étude for solo French horn, a homage to his teacher, Holger Fransman, offered an equally refreshing opening to the second half, not least given the outstanding, indeed mesmeric quality of Ben Goldscheider’s performance. It acted here almost like a wordless second introit, Messiaen heard from another, related world. The twin requirements of a single line and, at times, multiple voices (various extended techniques, including singing a line in addition to that played) were handled beautifully and, more to the point, meaningfully.”

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